move on

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KMU Tau,, Akku SLaluu dcnii mnungguMu

Ntah smpai kpan rasa nii brtahan d benakku

Akku hnya brharap , kebahagyaan yg akku dpat

Walo mngkin tag brsamamu

 

Kdang akku lelah mempertahankan rasa nii ,, tapi smakin ku mncoba menghilangkan rasa inii semakin pula akku menginginkan muu

Akku tak bnyak tau tentangmu., bahkan khidupanmuu

Krnaquu yakin kmu akn brcerita kisahmu padaquu . KELAK pztinyaa

 

Cukup senyumkuu yg mwakili smua prasaan inii kpadamu

Tnpa kmu tau d balik senyumkuu bgitu bnyak luka d dalamnya

Kecewa krna cinta yg tak kunjung kmu balas ato mngkin rasa cyank yg kmu abaikan

 

 Bukakan sdikit pintu hatimu untukku

Akku mmng bkan pmegang kunci hatimu , tapii idzinkan akku mngintip sbagian isii htimu

 Agar akku tau adakah namaku d situu ???

 

Jika nanti kamu mrasa trganggu akan khadirankuu . akku mnta maafh tlah bnyak mngganggumu bhkan mngusik ketenanganmu

 Tak ada mksud sdikit pun .. akku mngharapkanmu lebih drii yg kmu tau

Hrapanku mngkin trlalu besar . inii hnya kisahku yg tk pernah akan akku simpan sendiri kelak jika akku sdah tak sendiry kmu adalah orang yg akan akku critakan kpada sluruh dunia bhwa kmu yg slalu mmbuatquu gila

 

 Setidaknya bukan krna cintamu akku gila mngkin krna fkirankuu yg slalu penuh tntgMu

KmU Yg d sana dngarkan bisikan hatikku ,, akku lelah mnunggumu

 Dan mngkin akku harus mlupakanmu , mnggantimu dgn dya yg mau mnerimaku dgn sgala perihkuu

Dy bkan pensil spertimuu tpi stdaknya dia adalah pnghapus dlam hidupkuu

 

Move on dari kmuu sama ajha kya gwe hrus hdup d atas air , NGAMBANG JOHNN !!!!!!!!!!!!

SOaLNYa kmunya ajha hdup d daalam aerr , kpan gwe bsa move on jdii mlai skarang luu pindah ajha hdup ddalam  apii 

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Van Gogh Museum

Dibagikan kepada publik  –  Kemarin 23.07

 
Did you know, our library contains the book ‘Grammaire des arts du dessin, architecture, sculpture, peinture’ by Charles Blanc from 1867, which Vincent used to study #colours? The book explains the action of complementary colours, like red opposite green. These contrasting colours reinforce each other when they are juxtaposed, a technique you can see in Van Gogh’s paintings. The change in Van Gogh’s use of colours is very apparent in a self-portrait from 1887, in which he used primary colours blue and yellow.

Find out more about Van Gogh’s use of colours in our #exhibition ‘Van Gogh at work’.

Image: Charles Blanc’s colour system (left), Vincent van Gogh, Self-portrait with straw hat, 1887, Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) (right)

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Van Gogh Museum

Dibagikan kepada publik  –  12 Nov 2013

 
On 12 November 1888, Vincent van Gogh sent his sister Willemien this #sketch in a #letter, explaining the #painting he was working on: ‘Reminiscence of the garden at Etten’.
 
Here’s a quote from that letter:

 “I don’t know if you’ll understand that one can speak #poetry just by arranging colours well, just as one can say comforting things in music. In the same way the bizarre lines, sought out and multiplied, and snaking all over the painting, aren’t intended to render the garden in its vulgar resemblance but draw it for us as if seen in a #dream, in character and yet at the same time stranger than the reality.”
 
Full letter: http://vangoghletters.org/vg/letters/let720/letter.html
 
The painting is part of the collection of State Hermitage Museum in St. Petersburg: http://www.hermitagemuseum.org/html_En/03/hm3_3_1_8m.html

Image: letter sketch ‘Reminiscence of the garden at Etten’, Vincent van Gogh to Willemien van Gogh. Arles, on or about Monday, 12 November 1888, Van Gogh Museum,  Amsterdam (Vincent van Gogh Foundation)

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Van Gogh Museum

Dibagikan kepada publik  –  11 Nov 2013

 
Today is Paul #Signac’s #birthday! He was born in 1863. In 1886 he met Vincent van Gogh in Paris and they became friends. Through Signac Van Gogh came into contact with Neo-Impressionism.
This colour lithograph by Paul Signac from our collection is a fine example of the pointillist technique he developed together with George Seurat.

Image: Paul Signac, The harbour of Saint-Tropez, 1894, Van Gogh Museum Amsterdam (Vincent van Gogh Foundation)

#pointillism

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Van Gogh Museum

Dibagikan kepada publik  –  10 Nov 2013

 
Today at 2 pm: the Sunday #lecture ‘Plan or chance? Van Gogh’s working method’ by our senior conservator Ella Hendriks.

She will talk about recent research which demonstrated that the popular myth of Van Gogh as an impassioned genius who set to work in an impulsive manner, can no longer be upheld. This fact is clearly illustrated by two aspects of his working method: re-use of canvas and the use of a perspective frame. This lecture shows how careful looking coupled to the use of further investigative techniques can reveal the hidden secrets of Van Gogh’s working process.

Image: (left) ‘Vincent van Gogh (1853-1890), View from Theo’s apartment, 1887. Van Gogh Museum (right) infrared photograph of that painting with red lines indicating Van Gogh’s use of a perspective frame.

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